La situatività improvvisativa

Autori

  • Daniela De Leo Università del Salento

DOI:

https://doi.org/10.13130/2039-9251/6655

Abstract

Some manuscripts of Maurice Merleau-Ponty are the core of the investigation about the improvisation pursued in this essay, an investigation within the domain of the philosophical interrogation about music.  Merleau-Ponty’s manuscripts are brought into contact with Marcel Proust’s lectures with the aim of going over the construction of the “concept of improvisation” and of reflecting on the following questions: in the experience of improvisation, is just as necessary to recognize the emotional profile as the cognitive profile? What place does the improvisation occupy in musical experience?

Riferimenti bibliografici

PROUST, Marcel, Du côte de chez Swann, Paris, Gallimard, 1954; tr. it. Dalla Parte di Swann, Milano, Mondadori, 1983.

DE LEO, Daniela, L'improvvisazione tra dicibile e indicibile, Mimesis, 2013.

RICOEUR, Paul, La sfida semiologica, a cura di M. Cristaldi, Armando Ed., Roma 1974.

MERLEAU-PONTY, Maurice, Le visible et l’invisible, Gallimard, Paris 1964.

Manuscrits: Volumes du fonds manuscrits Merleau-Ponty Biblioteque Nationale de France: vol. III La Prose du monde. Notes de preparation [f. 261v]; vol. V L’OEil et l’Esprit. Notes de préparation [f. 9[r], 158[r]]; vol. VI Projets de livre 1958-1960 [f. 177[v], 198[r], 198[v], 202[r], 226[r], 239[r], 240[r], 247[v]]; vol. VII Le Visible et l’invisible Notes de préparation [f. 201[r], 201[v], 202[r], 202[v], 203[r]]; vol. VIII Livre en projet 1958-1960 [f. 188[r], 316[r]]; vol. XXI Notes de lecture relative aux derniers travaux [f. 3[r], 5[r], 10[r], 10[v], 11[v], 14[r], 19[r], 50[r], 50[v]].

RZEWSKI, Frederic, Nonsequiturs – Writings & Lectures on Improvisation, Composition, and Interpretation. Unlogische Folgerungen – Schriften und Vorträge zu Improvisation, Komposition und Interpretation. Edition Musiktexte, Cologne 2007.

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Pubblicato

2015-12-29

Fascicolo

Sezione

Teorie tra libertà e sistema