Note sulla performance Accommodation (2016) di Hantu

Le combat pour le regard de l’Autre. À propos de la performance « Accommodation » de Hantu Yanna Kor

Yanna Kor

Abstract


The aesthetical experience of the spectator foregrounds on the sense of vision. However in the theatre we more than see, we look at. The performance space becomes the area of the conjunction of gazes, that of spectator and that of artist, the ring of combat for the gaze of the Other. But what if we choose the blindness as the primary point of focus? Influenced by Denis Diderot’s essay Letter on the Blind for the Use of those who can see (1749) the performance Accommodation of Hantu (Pascale Weber and Jean Delsaux) offers a discourse about the gaze and the zone of blindness that surrounds it in the context of the aesthetic experience of the spectator and of the artist. 


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DOI: https://doi.org/10.13130/2039-9251/8749

NBN: http://nbn.depositolegale.it/urn%3Anbn%3Ait%3Aunimi-21331

Riferimenti bibliografici


HANTU (Weber+Delsaux), Accommodation [vidéo en ligne], filmé le 13 juin 2016, Vimeo, 14:44.

https://vimeo.com/172662617

BLEEKER, Maaike, Visuality in the Theatre: the Locus of Looking, Palgrave MacMillan, Hampshire and New York 2008.

DERRIDA, Jacques, Le toucher, Jean-Luc Nancy, Editions Galilée, Paris 2000.

DIDEROT, Denis, La lettre sur les aveugles à l'usage de ceux qui voient, A Londres 1749. http://gallica.bnf.fr/

GENEL, Katia, « La Lettre sur les aveugles de Diderot : l’expérience esthétique comme expérience critique », Le Philosophoire 2003/3 (n° 21), pp. 87-112.

PHELAN, Peggy, Unmarked: the Politics of Performance, Routledge, London and New York 2004.

ЯМПОЛЬСКИЙ, Михаил, Демон и лабиринт, Новое научное обозрение, Москва 1996, стр. 264. [YAMPOLSKI, Michail, Le démon et le labyrinthe, Novoe nauchnoe obozrenie, Moscow 1996, p. 264.] Consulté le 15 juillet 2016.

http://lib.ru/CULTURE/YAMPOLSKIJ/demon.txt_with-big-pictures.html


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Registrazione n° 593 del 12/11/2010 del Tribunale di Milano
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