Iconografie “antiche” nella collezione di calchi di intagli e cammei di Antonio Berini ai Civici Musei di Storia ed Arte di Trieste

Authors

  • Gabriella Tassinari

DOI:

https://doi.org/10.13130/2035-4797/216

Keywords:

Antonio Berini, Trieste (Civici Musei di Storia ed Arte), Filippo Zamboni, casts, carving, cameos, Medusa Strozzi, Atena/Minerva, Esculapio, Paride, illustrious men.

Abstract

Antonio Berini (Rome 1770-Milan 1861), famous gem-engraver, before 1804 decided to move from Rome to Milan, the capital of the Kingdom of Italy, where he lived, estemeed and praised; he was employed by the court and prestigious art patrons to engrave intaglios and cameos.A big collection of 114 plaster casts of intaglios and cameos made by Berini, without explanations, is now in the Civici Musei of Storia and Arte in Trieste, part of the bequest of Filippo Zamboni, cosmopolitan man of letters. These casts are a Berini’s very interesting “instrument of work”: in fact there are multiple casts and casts of works of other gem-engravers. Zamboni knew Berini very well; he writes that the artist was able to imitate ancient intaglios and cameos so perfectly that his engravings were mistakenly thought ancient.

The subjects analysed in this article are common and often engraved by the artists of the second half of Eighteenth Century - first half of Nineteenth Century: the famous intaglio known as the Strozzi Medusa (reproduced by almost all engravers), Atena/Minerva/Roma’s head, Esculapio’s bust, Paride’s bust, gems depicting Famous Men, as Mecenate, Dante, Petrarca, Leonardo da Vinci, Michelangelo, Raffaello, Shakespeare, Alessandro Tassoni.

Metrics

Metrics Loading ...

Author Biography

Gabriella Tassinari

She took a degree in Archaeology and a specialization in the same subject from University of Milan. She has worked on roman cemeteries in Lombardy, on roman ceramic and on glyptic, both ancient and from the period between the sixteenth and nineteenth centuries. She has written on nineteenth-century gems and jewels, on some famous collections and on a few engravers, like Giovanni Beltrami, Antonio Berini and Pichler’s family. She is currently studying the collections from casts of intaglios and cameos made by Giovanni Pichler and roman Dehn’s and Cades’s manufactures, now in the Medagliere of the Civiche Raccolte Numismatiche in Milan. Her catalogue of the post-classical gems of the big collection in the Civici Musei of Arte of Verona is forthcoming.

Published

2009-05-13

Issue

Section

ARTICLES