Kapoyt/Blue: Tracing The Armenian History Of A Colour

Authors

  • Marco Bais Pontifical Oriental Institute in Rome

DOI:

https://doi.org/10.13130/2035-4797/2413

Keywords:

Blue, colour, Armenia, illumination, pigments, manuscripts

Abstract

The study begins with an analysis of the semantics of the Armenian word kapoyt, blue, taking into account its different uses in Armenian literature, e.g. its possible connection with natural elements (lakes, seas, sky, etc.), clothes, diseases, precious stones, and toponyms. Great attention has been paid to the metaphorical meanings of kapoyt in Armenian tradition, which are related with feelings such as envy, jealousy, and sorrow. The second part of the study deals with the colour blue as a mean of artistic expression. On the one hand, the symbolism of blue has been investigated through the reflection on the aesthetics of colour found in the works of some Armenian Christian authors of the Middle Ages. On the other, we analyse different types of pigment used by Armenian artists in different times and in different schools, according to the information of ancient handbooks on colour production, and on the basis of data concerning the trade in colouring matters.

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Author Biography

Marco Bais, Pontifical Oriental Institute in Rome

Marco Bais is Associate Professor of Armenian Language at the Pontifical Oriental Institute (Rome). His main interests are: the history of Caucasus in Late Antiquity, the history of Caucasian Albania, the Armenian Kingdom in Cilicia and the Mongol conquests and domination as depicted in Caucasian (Armenian and Georgian) sources.

Published

2012-10-05

Issue

Section

ARTICLES