La colonna sonora come mixtape: Rap italiano e cinema agli albori degli anni Duemila

Autori

  • Alessandro Bratus Università di Pavia

DOI:

https://doi.org/10.13130/2532-2486/12705

Parole chiave:

mixtape, Antonio Manetti, Marco Manetti, compilation soundtrack, hip hop

Abstract

This essay focuses on the first convergence between Italian rap and cinema that took place between the late 1990s and the first years of the 21st century. The soundtrack of three films that bear witness of such a process, “Torino Boys” (1997, by Antonio and Marco Manetti), “Semiautomatico” (1999, by AJ Sikabonyi), and “Zora la vampira” (2000, by Antonio and Marco Manetti), will be scrutinized in details. The scope of the analysis is to offer a reading of these films on the background of the specific creative practices of hip hop culture.

Dowloads

Pubblicato

2020-06-30

Fascicolo

Sezione

Monografico / Special Issue