Vol. 2 No. 2 (2022)

Published March 31, 2023

Full Issue

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Articles

Maria Behrendt

5–32

“That’s How You Know He’s Your Love”: The Male Singing Voice and Disney’s (Re)interpretation of the Male Romantic Lead

https://doi.org/10.54103/sss17410

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Nicolò Palazzetti

33–59

Opera, Audio Technologies, and Audience Practices in the Late Nineteenth Century: The Case of Jules Verne

https://doi.org/10.54103/sss18617

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Lea Luka Sikau

61–83

Rehearsing Upload

https://doi.org/10.54103/sss18841

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Forum

Sofija Perović

85–136

Web Opera and Opera on the Web

https://doi.org/10.54103/sss19972

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Review-Essay

Jelena Novak

137–48

Identity, Loss, and Singing Transcendence after the End of the World

https://doi.org/10.54103/sss19973

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Book Reviews

Luca Battioni

149–59

Review of Francesca Vella, “Networking Operatic Italy” (2022)

https://doi.org/10.54103/sss19974

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Performance Reviews

Sofija Perović

161–66

Review of “Children” by Irena Popović (Belgrade, National Theatre, 2022)

https://doi.org/10.54103/sss19975

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