Vol. 3 No. 1 (2023)

Published December 31, 2023

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Articles

Mattia Merlini

More 1980s than the 1980s: Hauntological and Hyperreal Meanings of Synthwave Soundtracks

https://doi.org/10.54103/sss14136

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Michele Rota

Music Syncing as Intermedial Translation

https://doi.org/10.54103/sss18678

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Jingyi Zhang

Yuval Sharon’s “Twilight: Gods” (2020-21): Site-Specific Reimaginations of Richard Wagner’s “Götterdämmerung”

https://doi.org/10.54103/sss20750

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Forum

Giorgio Biancorosso, Emilio Sala

The Creative Turn in Arts Scholarship

https://doi.org/10.54103/sss22218

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Review-Essay

Rosa Fernández

Alexina B., Contemporary Opera as Consolation

https://doi.org/10.54103/sss22193

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Book Reviews

Pieter Verstraete

Review of Michal Grover-Friedlander's “Staging Voice” (2022)

https://doi.org/10.54103/sss22215

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Performance Reviews

Rina Tanaka

Review of Kinoshita Kabuki's “Sakurahime Azuma no Bunsho” (2023)

https://doi.org/10.54103/sss22216

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Giacomo Agosti

Review of “Alfred Hitchcock’s Psycho Live Orchestra” (2023)

https://doi.org/10.54103/sss22217

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