Decolonizing Environmentalism in Contemporary Art: Sámi Perspectives at the Venice Biennale

Abstract

This study explores the decolonization of exhibitions while addressing the climate crisis, focusing on the intersection of decoloniality, Indigenous rights, and environmentalism in contemporary art. With an emphasis on Indigenous perspectives, particularly from the Sámi community, the research examines how Sámi artists challenge colonial narratives, colonialism’s ties to industrial exploitation, and climate change’s disproportionate impact on marginalized groups. Through alternative artistic practices, Sámi artists offer critiques of capitalist and extractive models, advocating for social equity and a sustainable future. The research methodology, informed by visits to key exhibitions such as The Sámi Pavilion (2022) and Girjegumpi (2023), alongside academic engagement in Indigenous studies, examines the evolution of Sámi art within decolonial frameworks. It traces how Sámi cultural assertions, art practices, and resistance against colonial structures contribute to shaping a transformative discourse in contemporary art. The article concludes by analyzing the transformation of the Nordic Pavilion at the Venice Biennale as a case study for understanding this dynamic intersection.