Heroes or villains? Investigating Intersectional Female Identities in Orange is the New Black

Abstract

This paper investigates the first five seasons of Netflix original series Orange
Is the New Black (2013-2019) through an interdisciplinary perspective that combines
some critical approaches and tools from cultural studies, gender and feminist studies
(primarily intersectionality), and cultural criminology. The study aims at understanding
and accounting for the complex phenomenon of female violence from a different angle
and devises new critical instruments to approach narratives of women who commit
crimes that challenge deeply ingrained stereotypes and frame the possibility and
construction of criminal women’s agency