Il serpente come Messia. Rappresentazione alla rovescia del Paradiso nel teatro e nel cinema del XX secolo
DOI:
https://doi.org/10.13130/2035-7680/1171Keywords:
Teatro, Cinema XX secoloAbstract
This paper analyses the way Paradise appears in different Theatre or Film productions of the XXth century: a biblical epos by the Israelian director Rina Yerushalmi, a film that became a classic, Children of Paradise (Carné, Prévert, 1943), the last show of the Living Theater, Paradise now (1968), and a film by Peter Weir, Truman Show (1998). In all of these productions, the Serpent, deeply negative in the biblical text appears like a positive figure, a kind of Messiah.Metrics
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Published
2011-06-27
How to Cite
Moraly, Yehuda. 2011. “Il Serpente Come Messia. Rappresentazione Alla Rovescia Del Paradiso Nel Teatro E Nel Cinema Del XX Secolo”. Altre Modernità, June, 105-10. https://doi.org/10.13130/2035-7680/1171.
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Saggi Ensayos Essais Essays