About the Journal

Cinéma & Cie is an international, peer-reviewed academic journal. The research areas of the journal include media history and theory and their relationship; the various intersections between technological, industrial and representational aspects; audiovisual heritage; reception and consumption; the links between different forms of audiovisual narrative, art and communication.

Published twice a year (in Spring and Fall), the journal is structured in four different sections:

– Thematic issue: usually the largest section, devoted to a specific topic. This section only accepts submissions in response to specific calls for essays that are advertised via the journal website;
– Beyond Cinema: a section focused on innovative perspectives on the transformations in the field of film studies. Submissions are accepted only in response to the permanent call for essays advertised on the website;
– Projects & Abstracts: the section details international research and noteworthy Ph.D. thesis projects or abstracts, recommended by supervisors;
– Reviews: the section consists of significant essays, festivals, exhibitions, conferences and related content.

Current Issue

Vol. 22 No. 38 (2022): Gestalt Filmology. Insights on Form and Embodiment in the Film Experience
Pages from Rudolf Arnheim’s notebook (Archives of the History of American Psychology – Akron, OH)

Edited by Adriano D’Aloia and Ian Verstegen

Recent advancements in the encounter between media studies and the cognitive sciences raises the possibility of re-launching some of the assumptions of Gestalt psychology as productive insights for film theory, analysis, and criticism. ‘Gestalt Filmology’ would be a body of knowledge taking hints from Rudolf Arnheim’s pioneering film theory but anchored in core Gestalt ideas about the multimodal functioning of the senses, motion and ego-perception and resulting filmic expressiveness and symbolism. Elaborated in this way, a Gestalt Filmology might be able to offer suggestions and correctives to an ‘embodied cognition’ and ‘neurofilmological’ approach in visual media studies. This special issue of Cinéma Cie connects together elements of Arnheim’s thought from different periods of his career. It bolsters Arnheimian ideas with research strains from general gestalt-theoretical psychology, and it brings elements of those same Gestalt-theoretical traditions to parts of film theory that Arnheim never touched.

Published: 2022-06-27

Full Issue

Introduction

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