Vol. 25 No. 45 (2025): For a Multipolar History of the Film Industries: Centre-Periphery Relations in the Cold War Years

DOI: https://doi.org/10.54103/2036-461X/2025/45

Published: 2026-02-27

Full Issue

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Thematic issue / Section thématique

• Multipolarity in the Post-War Film Industries: An Introduction

  Giorgio Avezzù, Francesco Di Chiara, Paolo Noto

  9-30

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• Between the National and the Transnational: Commercial and Industrial Links Between Chile and Argentina’s Leading Film Companies (1940s - 1950s)

  María Paz Peirano, Alejandro Kelly-Hopfenblatt

  31-49

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• In compartecipazione. Italian and Algerian films in the 1960s

  Luca Peretti

  51-64

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• From Moscow to Mainstream The Soviet Quest for Cinematic Influence in the U.S.

  Claudia Fiorito

  65-81

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• The Russians are coming! Alta Films and the Spanish discovery of Soviet films in the late Cold War years (1969-1993)

  Fernando Ramos Arenas

  81-96

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• Cinema on the Eve of the Cold War: International, National, and Local Interests in Turkey and the Motion Picture Admission Tax

  Aydın Çam, Çiğdem Aksu Çam

  97-112

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• Two Modernizations: Widescreen Cinema, Film Art Discourses, and U.S. Aid in 1950s Taiwanese Film Culture

  I-Lin Liu

  113-131

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Beyond Cinema

• Sufficiency or Excess Analog and Digital Strategies for Film Heritage Sustainability

  Serena Bellotti, Rossella Catanese, Valentina Valente

  135-153

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Reviews / Comptes rendus

• Non-Fiction Cinema in Postwar Europe. Visual Culture and the Reconstruction of Public Space

  Paola Bonifazio

  156-158

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• The Screen Censorship Companion: Critical Explorations in the Control of Film and Screen Media

  Michael Guarneri

  159-161

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• Rethinking the Cinematic Cold War: The Struggle for Hearts and Minds Goes Global

  Giulio Tosi

  162-165

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Projects & Abstracts

• Chinese ‘Main-melody’ Cinema History, institutions, languages, and narratives

  Chiara Lepri

  169-171

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• Landscape of Ruins. Decay and Wonder in the Southern United States by William Eggleston and Cormac McCarthy

  Virginia Gerlero

  172-175

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• Promises (Delivered) Across the Atlantic: The Representation of Italian Immigration through Home Movies

  Daniel Melfi

  176-178

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Contributors / Collaborateurs

• Contributors/Collaborateurs

  180-185

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