Daniel Morgan, The Lure of the Image: Epistemic Fantasies of the Moving Camera, Oakland: University of California Press, 2021, 244 pages

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DOI:

https://doi.org/10.54103/2036-461X/17978

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Pages from Rudolf Arnheim’s notebook (Archives of the History of American Psychology – Akron, OH)

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Published

2022-06-27

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Vol. 22 No. 38 (2022): Gestalt Filmology. Insights on Form and Embodiment in the Film Experience

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Reviews / Comptes rendus

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Copyright (c) 2022 Antonio Patrick D’Amico

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This work is licensed under a Creative Commons Attribution 4.0 International License.

How to Cite

D’Amico, Antonio Patrick. “Daniel Morgan, The Lure of the Image: Epistemic Fantasies of the Moving Camera, Oakland: University of California Press, 2021, 244 Pages”. Cinéma & Cie. Film and Media Studies Journal, vol. 22, no. 38, June 2022, pp. 141-3, https://doi.org/10.54103/2036-461X/17978.