Traveling Music Video, Edited by Tomáš Jirsa and Mathias Bonde Korsgaard, London: Bloomsbury Publishing, 2023, pp. 288

Authors

  • Annalisa Pellino IULM University

DOI:

https://doi.org/10.54103/2036-461X/27294

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Author Biography

Annalisa Pellino, IULM University

Annalisa Pellino is a research fellow at the Department of Communication, Arts and Media, IULM University in Milan, where she collaborates as a lecturer, thesis supervisor, and assistant professor. In 2020, she was visiting scholar at University of California, Irvine. In 2022/23, she researched film circulation and exhibition within the Horizon2020 project “EUMEPLAT – European Media Platforms: Assessing Negative and Positive Externalities for European Culture”. Since 2023, she has been working on the PRIN – “Giallo Atlas. Media History and Popular Culture in Italy (1954-2020)”. Her publications include the monograph La voce in transizione. Cinema, arte contemporanea e cultura fonovisuale (Mimesis, Milano 2023) – which stands for The Voice in Transition. Cinema, Contemporary Art and Audiovisual Culture – along with a number of peer-reviewed essays in academic journals and volumes. She is also part of the editorial team of Cinéma&Cie.

References

Arnold, Gina, Daniel Cookney, Kirsty Fairclough, and Michael Goddard, eds. 2017. Music/Video: Histories, Aesthetics, Media. New York: Bloomsbury. DOI: https://doi.org/10.5040/9781501313943

Di Marino, Bruno. 2018. Segni, Sogni, Suono. Quarant’anni di videoclip da David Bowie a Lady Gaga. Milano: Meltemi.

Jirsa, Tomáš, and Mathias Bonde Korsgaard. 2019. “The Music Video in Transformation: Notes on a Hybrid Audiovisual Configuration.” In Music, Sound, and the Moving Image, 13.2: 111–22. DOI: https://doi.org/10.3828/msmi.2019.7

Jirsa, Tomáš. 2019. “For the Affective Aesthetics of Contemporary Music Video.” In Music, Sound, and the Moving Image, 13.2: 187–208. DOI: https://doi.org/10.3828/msmi.2019.11

Korsgaard, Mathias Bonde. 2017. Music Video after MTV: Audiovisual Studies, New Media, and Popular Music. London and New York: Routledge. DOI: https://doi.org/10.4324/9781315617565

Korsgaard, Mathias Bonde. 2019 “Changing Dynamics and Diversity in Music Video Production and Distribution.” In The Bloomsbury Handbook of Popular Music Video Analysis, edited by Lori Burns and Stan Hawkins, 13–27. New York: Bloomsbury Academic. DOI: https://doi.org/10.5040/9781501342363.ch-002

Shaviro, Steven. 2017. Digital Music Videos. New Brunswick, NJ: Rutgers University Press.

Vernallis, Carol. 2013. Unruly Media: YouTube, Music Video, and the New Digital Cinema. New York: Oxford University Press. DOI: https://doi.org/10.1093/acprof:oso/9780199766994.001.0001

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Published

2025-02-10

How to Cite

Pellino, A. (2025). Traveling Music Video, Edited by Tomáš Jirsa and Mathias Bonde Korsgaard, London: Bloomsbury Publishing, 2023, pp. 288. Cinéma & Cie. Film and Media Studies Journal, 24(43), 157–161. https://doi.org/10.54103/2036-461X/27294

Issue

Vol. 24 No. 43 (2024): New Musical Writing Processes for Cinema

Section

Reviews / Comptes rendus

License

Copyright (c) 2024 Annalisa Pellino

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.