Vol. 11 No. 16-17 (2011): Revisiting the archive/Revisiter l'archive

Edited by Simone Venturini

Published: 2011-10-01

Table of Contents / Table des matières

• vol. XI, no. 16-17, Spring-Fall 2011

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Introduction

• Introduction

  Simone Venturini

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Thematic issue / Section thématique

• Concevoir une archive cinématographique autour de 1900

  Frank Kessler

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• Pre-Archival Practices. A Genealogy of the Film Archive in The Netherlands (1910-1919)

  Klaas de Zwaan

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• Inventing a Past, Imagining a Future. The Discovery and Institutionalisation of Film History in the 1930s

  Malte Hagener

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• Images, Traces, and Narrative Imagination: Documentary Approaches to Archive Memory

  Malin Wahlberg

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• Le Médium est l’archive

  Enrico Terrone

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• Documentality of Film

  Michele Guerra

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• The Film Archive, the Archive as Film

  Irini Stathi

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• What Is Our Historical a priori? The State as Common Sense and the Forgotten Municipal Archive

  Ron Makleff

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• The Construction of a Political Memory in The Palace and the Fortress: Outlining the Use of the Archive in Making a Film on Populism in Post-Revolutionary Russia

  Dunja Dogo

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• The Archive and Its Silences

  Giuliana Muscio

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• Archive/Missing. No(Body’s) Images? Reflections on Argentinian Dictatorship (1976-1983) and on Its Visual Recollection

  Valentina Cucca

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• Pratiques d’archive et mémoire de Pieds-noirs. Web, cinéma (et littérature)

  Marion Froger, Djemaa Maazouzi

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New Studies

• Le Cinéma comme espace épigraphique

  Abdelhamid Mahfoud

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• The Sin of Repetition

  Marco Grosoli

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• Parental Guidance Recommended? Narrative Functions and Cultural Implications of Bollywood’s Parent Figures

  Sophie Einwächter

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• Popular Tradition, American Madness and Some Opera. Music and Songs in Italian Neo-Realist Cinema

  Francesco Pitassio

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• Intermediality in the 1950s Italian Film Industry: The Case of the Titanus’ Film-Canzone

  Francesco Di Chiara

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Projects & Abstracts

• Research Project – Groupe de recherche sur l’avènement et la formation des institutions cinématographique et scénique (GRAFICS)

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• Research Project – Charisme et image politique dans le monde iberique

  Nancy Berthier, Vicente Sánchez-Biosca

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• Ph.D. Thesis Abstract - Cinematic interfaces: retheorizing apparatus, image, subjectivity

  Seung-hoon Jeong

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• Ph.D. Thesis Abstract - The productivity of the obsolete - about the recycling strategy of Hollywood outtakes

  Sebastian Kuhn

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