Vol. 2 No. 2 (2003): Dead Ends/Impasses

View Vol. 2 No. 2 (2003): Dead Ends/Impasses

Edited by Leonardo Quaresima

Published: 2003-03-01

Table of Contents / Table des matières

vol. II, no. 2, Spring 2003
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Introduction

Introduction

Leonardo Quaresima
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Thematic issue / Section thématique

What Happened to Pantomime?

Ben Brewster
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The Art of “Speaking Silently”: The Debate around Cinema and Pantomime in the 1910s and 1920s

Elena Mosconi
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The Phantom of the Relationship, the Poverty of Cinema and the Excesses of Hypnosis

Ruggero Eugeni
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Cinema and Revelation: for Professional Eyes Only

Michael Barchet
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Tra fotografia e cinema: la tridimensionalità in Italia negli anni Trenta

Paola Valentini
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In Search of Expanded Cinema

Sandra Lischi
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At the Museum and the Movies

Leonardo Quaresima
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New Studies

Visages du dedans

Raymond Bellour
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Cinematic Performance: between the Histrionic and the Quotidian

Lesley Stern
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Approche de la réception par la triade “programmation - presse - censure”

Gianni Haver
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Opposite or Complementary Conceptions? What Do Rudolf Arnheim and Michel Chion Have in Common?

Frances Guerin
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Projects & Abstracts

PhD Thesis Abstract - Le Groupe pool: Close Up (1927-1933) et Borderline (1930)

François Bovier
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PhD Thesis Abstract - Stili di rappresentazione nel cinema italiano degli anni Trenta: la produzione CINES dal 1930 al 1934

Vincenzo Buccheri
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PhD Thesis Abstract - The Organization of Space in Korean Cinema (from the 1980s to the Present Day)

Adrien Gombeaud
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PhD Thesis Project - Multiple Worlds Without Ends: Film serials in Europe, 1913-1929

Rudmer Canjels
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PhD Thesis Project - Mythos ex Machina: Motor Sport as an Icon of Modernity in the Popular Culture of Nazi Germany

Uwe Day
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PhD Thesis Project - Beyond Impressions: Germaine Dulac (1882-1942), her Life and Films, from Aesthetic to Politic

Tami M. Williams
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Cinematic Technologies

Francesco Casetti, Sandro Bernardi, Michele Canosa, Gianni Canova, Giulia Carluccio, Lorenzo Cuccu, Alberto Farassino, Leonardo Gandini, Leonardo Quaresima
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The Keith-Albee collection

Rick Altman
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Limina - Film's Thresholds

X International Film Studies Conference
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Multiple and Multiple-Language Versions

MAGIS - Gradisca Film Studies Spring School
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Selected by

Ben Singer, Melodrama and Modernity: Early Sensational Cinema and Its Contexts (New York: Columbia University Press, 2001)

Richard Abel
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Ben Singer, Melodrama and Modernity: Early Sensational Cinema and Its Contexts (New York: Columbia University Press, 2001)

Rick Altman
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Germain Lacasse, Le Bonimenteur de vues animées. Le cinéma “muet” entre tradition et modernité (Québec-Paris: Nota Bene/Méridiens Klincksieck, 2000)

François Albera
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Annette Kuhn, An Everyday Magic. Cinema and Cultural Memory (London-NY: I.B. Tauris Publisher, 2002)

Francesco Casetti, Mariagrazia Fanchi
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Sandro Bernardi, Il paesaggio nel cinema italiano (Venezia: Marsilio, 2002)

Lorenzo Cuccu
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Leonie Naughton, That Was the Wild East: Film Culture, Unification and the “New” Germany (Ann Arbor: The University of Michigan Press, 2000)

Thomas Elsaesser
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Vincent Pinel, Le Montage, l’espace et le temps du film (Paris: Cahiers du cinéma/CNDP, 2001)

André Gaudreault, J.-P. Sirois-Trahan
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Rachel O. Moore, Savage Theory: Cinema as Modern Magic (Durham: Duke University Press, 2000)

Tom Gunning
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Gérard Genette, Figures IV (Paris: Seuil, 1999)

François Jost
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Jacques Aumont, La théorie des cinéastes (Paris: Nathan, 2002)

Michèle Lagny
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Giorgio Agamben, L’aperto. L’uomo e l’animale (Torino: Bollati Boringhieri, 2002)

Francesco Pitassio
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Paul Auster, The Book of Illusions (New York: Henry Holt and Company, 2002)

Leonardo Quaresima
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Linda Williams, Playing the Race Card: Melodramas of Black and White from Uncle Tom to O.J. Simpson (Princeton: Princeton University Press, 2001)

Lauren Rabinovitz
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Documenta 11 Platform 5: Exhibition. Catalogue, Kassel, June 8 – September 15, 2002 (Ostfildern-Ruit: Hatje Cantz Publishers, 2002, English edition)

Cosetta Saba
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Paulo Antonio Paranaguá, Le Cinéma en Amérique Latine. Le miroir éclaté (Paris: L’Harmattan, 2000)

Vicente Sánchez-Biosca
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Rolf Aurich, Wolfgang Jacobsen, Cornelius Schnauber, eds., Fritz Lang. Leben und Werk / His Life and Work / Sa vie et son œuvre (Berlin: Filmmuseum/Deutsche Kinemathek/Jovis Verlag, 2001)

Irmbert Schenk
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Bruce Smith, The Acoustic World of Early Modern England (Chicago-London: The University of Chicago Press, 1999)

Paola Valentini
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Andy Masaki Bellows, Marina McDougall, Brigitte Berg, eds., Science is Fiction. The Films of Jean Painlevé (Cambridge, Mass.- London: MIT Press/Brico Press, 2000)

Laura Vichi
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