For a dynamic Reception: Theories and works of the 20th Century
DOI:
https://doi.org/10.13130/2039-9251/11492Abstract
During the 20th century, political theatre urges the spectator to perform the duties of a “model” citizen. Through the analysis of the dynamism theory established by Luigi Nono in his musical theatre, this study tries to recognize the aesthetic potential of a “dynamic reception” that aims at making place for a political spectator.
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