«Un mulino che macina il testo». Parola e immagine nel teatro di Tadeusz Kantor
DOI:
https://doi.org/10.13130/2039-9251/2043Abstract
Alla poliedrica attività di regista, pittore e ideatore di performance, Kantor ha saputo accostare, lungo tutto l’arco della sua esistenza, una compatta – seppur non certo sistematica – teoria del teatro. Il saggio si concentra su uno dei maggiori leitmotiv della riflessione kantoriana, relativo al millenario problema del rapporto tra parola e immagine, tra testo e rappresentazione, tra dramma e messa in scena.Downloads
Published
Issue
Section
License
The authors who publish in Itinera are required to accept the following conditions:
1. The authors retain the rights on their paper and lincese the journal the right of first publication. The paper is also licensed under a Creative Commons License, which allows others to share it, by indicating intellectual authorship and its first publication in Itinera.
2. Authors may adhere to other non-exclusive license agreements for the distribution of the published version of the paper (ex. deposit it in an institutional archive or publish it in a monograph), provided that its first publication in Itinera is indicated.
3. Authors can disseminate their paper online (ex. in institutional repositories or on their website) before and during the submission process, since this can lead to productive exchanges and increase quotations of the published work (See “The Effect of Open Access”).