Écriture visuelle et plastique dans les œuvres de Jan Fabre
DOI:
https://doi.org/10.13130/2039-9251/8729Abstract
Dealing with the visual aspects in his writing process, this is not only because of the cultural context but also because of his background that Jan Fabre literature is also a visual literature. The analyses of Mon corps, mon gentil corps, dis-moi… focus on the sight sense in a linguistic point of view, and those of Another Sleepy Dusty Delta Day tend to highlight the plasticity of the writing that goes beyond the text itself.
Downloads
References
CHATELET, Albert, Hubert et Jan Van Eyck créateurs de l’Agneau Mystique, Faton, Dijon 2011.
CHRISTIN, Anne-Marie, L’Invention de la figure, Flammarion, Paris 2011.
FABRE, Jan, Another Sleepy Dusty Delta Day, L’Arche, Paris 2008.
FABRE, Jan, Journal de nuit (1978-1984), Traduit du néerlandais par Michèle Deghilage, L’Arche, Paris 2012.
FABRE, Jan, Mon corps, mon gentil corps, dis-moi…, L’Arche, Paris 2000.
LEVY-KUENTZ, François, Yves Klein, La révolution bleue, film produit par MK2 TV, Le Centre Pompidou, Paris 2007.
PLATON, Phèdre, Introduction et traduction de Louis Brisson, Garnier-Flammarion, Paris 1989.
TORAN, Lydie, « Interview avec Jan Fabre » (27/11/2012), in Jan Fabre Esthétique du paradoxe, L’Harmattan, Paris 2013, pp. 19-29.
TORAN, Lydie, « Le Pouvoir des folies théâtrales. Une pièce verrouillée, quelques clés pour y entrer ? », in Jan Fabre, esthétique du paradoxe, L’Harmattan, Paris, 2013, pp. 155-171.
http://www.stedelijk.nl/en/artwork/6136-l-accord-bleu-re-10#sthash.iei6ttxD.dpuf (Site consulté le 11 mars 2017)
Downloads
How to Cite
Issue
Section
License
The authors who publish in Itinera are required to accept the following conditions:
1. The authors retain the rights on their paper and lincese the journal the right of first publication. The paper is also licensed under a Creative Commons License, which allows others to share it, by indicating intellectual authorship and its first publication in Itinera.
2. Authors may adhere to other non-exclusive license agreements for the distribution of the published version of the paper (ex. deposit it in an institutional archive or publish it in a monograph), provided that its first publication in Itinera is indicated.
3. Authors can disseminate their paper online (ex. in institutional repositories or on their website) before and during the submission process, since this can lead to productive exchanges and increase quotations of the published work (See “The Effect of Open Access”).
