« Trouble persistant ». De l'expérience sensorielle à la quête de sens : « Au monde » de Joël Pommerat (2004)

Authors

  • Cécile Auzolle Université de Poitiers

DOI:

https://doi.org/10.13130/2039-9251/8730

Abstract

In all his performances Joël Pommerat is writing a theatre of trouble, by its nature addressed to the spectators’ senses. Thanks to the example of Au Monde (2004), it will be shown how trouble is produced by the hiatus between sight and hearing, visual half-light and auditive acuteness, but also by the almost obsessional questioning of senses all over the text. How do senses and sensations build the meaning of play Au monde ? This paper offers a study their visual and lexical occurrences.

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References

BOUDIER, Marion, Avec Joël Pommerat, un monde complexe, Actes Sud-papiers, « Apprendre », Arles 2015.

DUFRENNE, Mikel, L’œil et l’oreille, Jean-Michel Place, Paris 1991.

GAYOT, Joëlle, POMMERAT, Joël, Joël Pommerat, troubles, Actes Sud, Arles 2009.

POMMERAT, Joël, Au monde suivi de Mon ami, Actes Sud-papiers, Arles 2004.

POMMERAT, Joël, Au monde, livret d'après sa pièce éponyme, Musique de Philippe Boesmans, Commande de la Monnaie, La Monnaie, [programme de salle de la création mondiale], Bruxelles 2014.

POMMERAT, Joël, Théâtres en présence, Actes Sud-papiers, Arles 2007.

REY-DEBOVE, Josette, REY, Alain, Le Petit Robert, Dictionnaire alphabétique et analogique de la langue française, Dictionnaires le Robert, Paris 2011.

SOURIAU, Étienne, « Sens, sensation, sensible, sensoriel, sensuel », Vocabulaire d'esthétique, PUF, coll. « Quadrige », Paris 1999.

SZENDY, Peter, Tubes. La Philosophie dans le juke-box, Éd. Minuit, coll. « Paradoxe », Paris 2008.

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How to Cite

Auzolle, C. (2017). « Trouble persistant ». De l’expérience sensorielle à la quête de sens : « Au monde » de Joël Pommerat (2004). Itinera, (13). https://doi.org/10.13130/2039-9251/8730

Issue

No. 13 (2017)

Section

Per un teatro sensoriale: sinestesie e alternanze

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