« Uscio e bottega » : dal Teatro de Los Sentidos a una poetica originale
DOI:
https://doi.org/10.13130/2039-9251/8741Abstract
This work focuses on the Italian theatrical performance Uscio e bottega by Francesca Giaconi and Lorenzo Bianchi, from its origin - rooted in Theatre of Senses by Enrique Vargas - to the achievement of its own poetics. In this historical period of great changes for dramatic arts, the experience of this little company and their play reflects the ongoing metamorphosis whilst aiming at touching the intimate depth of individuals. This work retraces the steps that lead to the creation of this theatrical performance, stressing its unique and original elements as well as those influenced by the Theatre of Senses. We will discuss the special participation of the public and the traces of a regionalism so peculiar as to make Uscio e Bottega a noteworthy specimen in the rich, albeit somehow jagged, Italian theatrical landscape.
References
CROCE, Benedetto, La letteratura dialettale riflessa, la sua origine nel Seicento e il suo ufficio storico, in Uomini e cose della vecchia Italia, s. I, Laterza, Bari 1927, pp. 225-234.
DESSONS, Gérard, « L’oeil qui entend, l’oreille qui voit : l’univers d’Henri Meschonnic » [on-line] in akadem. Pubblicato in data novembre 2013, consultato in data 13 maggio 2016. Disponibile all’indirizzo http://www.akadem.org/sommaire/themes/vie-juive/les-traductions-de-la-bible/les-traductions/l-univers-d-henri-meschonnic-05-11-2013-55125_394.php minute 56
DESSONS, Gérard, MESCHONNIC, Henri, Traité du rythme : des vers et des proses, A. Colin, Paris 2005.
PIERUCCI, Vanessa, Il progetto delle città: il Teatro de Los Sentidos a Napoli, Tesi di Laurea, Università degli Studi di Firenze, Facoltà di Lettere e Filosofia, anno 2010-2011.
Downloads
Issue
Section
License
The authors who publish in Itinera are required to accept the following conditions:
1. The authors retain the rights on their paper and lincese the journal the right of first publication. The paper is also licensed under a Creative Commons License, which allows others to share it, by indicating intellectual authorship and its first publication in Itinera.
2. Authors may adhere to other non-exclusive license agreements for the distribution of the published version of the paper (ex. deposit it in an institutional archive or publish it in a monograph), provided that its first publication in Itinera is indicated.
3. Authors can disseminate their paper online (ex. in institutional repositories or on their website) before and during the submission process, since this can lead to productive exchanges and increase quotations of the published work (See “The Effect of Open Access”).