Vol. 1 No. 1 (2021)

Vol. 1 No. 1 (2021)

Published April 13, 2021
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Cover First Issue 2021

Editorial

Giorgio Biancorosso, Emilio Sala
5-6
Five Keywords and a Welcome
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Articles

Katherine Astbury, Sarah Burdett, Diane Tisdall
7-46
Excavating French Melodrama of the First Empire
https://doi.org/10.13130/sss14179
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Luca Battioni
47-76
Translating Music: Dubbing and Musical Strategies in Italian Cinema of the Early Sound Period
https://doi.org/10.13130/sss14132
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Giovanni Cestino
77-117
Experiencing Notational Artifacts in Music-Making: Towards a Theoretical Framework
https://doi.org/10.13130/sss14249
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Megan Steigerwald Ille
119-143
The Operatic Ear: Mediating Aurality
https://doi.org/10.13130/sss14186
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Reflections

Martin Scherzinger
145-192
Event or Ephemeron? Music’s Sound, Performance, and Media (A Critical Reflection on the Thought of Carolyn Abbate)
https://doi.org/10.13130/sss15335
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Forum

Piersandra Di Matteo
193-242
The Dramaturg, Today: with responses by Nedjma Hadj Benchelabi, Eva-Maria Bertschy, Antonio Cuenca Ruiz, André Lepecki, Florian Malzacher
https://doi.org/10.13130/sss15387
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Interviews

Alessandro Cecchi
243-264
Performance/Media/Documentation... Thinking Beyond Dichotomies: An Interview with Philip Auslander
https://doi.org/10.13130/sss15388
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Book Reviews

Timmy Chih-Ting Chen
265-273
Review of Andrew F. Jones, “Circuit Listening: Chinese Popular Music in the Global 1960s” (2020)
https://doi.org/10.13130/sss15389
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Performance Reviews

Jelena Novak
275-283
Review of “Sweet Land,” a new opera by The Industry
https://doi.org/10.13130/sss15390
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