Vol. 1 No. 1 (2021)

Published April 13, 2021

Full Issue

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Cover First Issue 2021

Editorial

Giorgio Biancorosso, Emilio Sala

5-6

Five Keywords and a Welcome

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Articles

Katherine Astbury, Sarah Burdett, Diane Tisdall

7-46

Excavating French Melodrama of the First Empire

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Luca Battioni

47-76

Translating Music: Dubbing and Musical Strategies in Italian Cinema of the Early Sound Period

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Giovanni Cestino

77-117

Experiencing Notational Artifacts in Music-Making: Towards a Theoretical Framework

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Megan Steigerwald Ille

119-143

The Operatic Ear: Mediating Aurality

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Reflections

Martin Scherzinger

145-192

Event or Ephemeron? Music’s Sound, Performance, and Media (A Critical Reflection on the Thought of Carolyn Abbate)

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Forum

Piersandra Di Matteo

193-242

The Dramaturg, Today: with responses by Nedjma Hadj Benchelabi, Eva-Maria Bertschy, Antonio Cuenca Ruiz, André Lepecki, Florian Malzacher

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Interviews

Alessandro Cecchi

243-264

Performance/Media/Documentation... Thinking Beyond Dichotomies: An Interview with Philip Auslander

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Book Reviews

Timmy Chih-Ting Chen

265-273

Review of Andrew F. Jones, “Circuit Listening: Chinese Popular Music in the Global 1960s” (2020)

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Performance Reviews

Jelena Novak

275-283

Review of “Sweet Land,” a new opera by The Industry

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