Vol. 1 No. 1 (2021)
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Vol. 1 No. 1 (2021)
Published April 13, 2021
Full Issue
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Editorial
Giorgio Biancorosso, Emilio Sala
5-6
Five Keywords and a Welcome
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Articles
Katherine Astbury, Sarah Burdett, Diane Tisdall
7-46
Excavating French Melodrama of the First Empire
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Luca Battioni
47-76
Translating Music: Dubbing and Musical Strategies in Italian Cinema of the Early Sound Period
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Giovanni Cestino
77-117
Experiencing Notational Artifacts in Music-Making: Towards a Theoretical Framework
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Megan Steigerwald Ille
119-143
The Operatic Ear: Mediating Aurality
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Reflections
Martin Scherzinger
145-192
Event or Ephemeron? Music’s Sound, Performance, and Media (A Critical Reflection on the Thought of Carolyn Abbate)
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Forum
Piersandra Di Matteo
193-242
The Dramaturg, Today: with responses by Nedjma Hadj Benchelabi, Eva-Maria Bertschy, Antonio Cuenca Ruiz, André Lepecki, Florian Malzacher
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Interviews
Alessandro Cecchi
243-264
Performance/Media/Documentation... Thinking Beyond Dichotomies: An Interview with Philip Auslander
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Book Reviews
Timmy Chih-Ting Chen
265-273
Review of Andrew F. Jones, “Circuit Listening: Chinese Popular Music in the Global 1960s” (2020)
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Performance Reviews
Jelena Novak
275-283
Review of “Sweet Land,” a new opera by The Industry
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