This is not a fairy tale

Authors

DOI:

https://doi.org/10.54103/2974-6620/uon.n22-24_2025_pp464-477

Keywords:

Ecocritical Studies, art, art and nature, empathy

Abstract

This is not a fairy tale is a dialogue between Giovanni Aloi and Monica Gagliano that emerges from a shared experience of aesthetic and intellectual dissonance at a conference presentation on Pierre Huyghe’s Liminal exhibition (Punta della Dogana, Venice, 2024). Frustrated by the exhibition’s apocalyptic tone and predictable portrayal of more-than-human life, Aloi and Gagliano use this conversation to question the current frameworks of ecological art and its capacity—or failure—to tell urgent, transformative stories. Moving beyond critique, they explore speculative realism, trust, and the role of affect and imagination in both science and art. From the parasitic yet enigmatic dodder plant to metaphors of porous boundaries, their exchange navigates the fertile space between disciplinary languages, epistemologies, and lived experience. Trust, rather than hope, emerges as a central concept for rethinking ethics, aesthetics, and multispecies futures. Informed by posthumanism and critical plant studies, their conversation is not a critique for critique’s sake, but a generative reconsideration of how art and science might together sustain open-ended, situated, and transformative narratives for the ecological challenges of our time.

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Author Biographies

Giovanni Aloi, School of the Art Institute of Chicago

Giovanni Aloi is an author, curator, educator, and maker specializing in the histories of art and politics of aesthetics in representations of nature in art. A pioneer in the fields of animal studies and critical plant studies, his work foregrounds posthuman and non-anthropocentric perspectives in art, challenging conventional frameworks of representation and advocating for an ethical engagement with the more-than-human world. His research critically examines how visual culture constructs relationships with animals and plants, working against their objectification while exploring new modes of artistic expression that foster multispecies entanglements. More info at www.aloi.info

Monica Gagliano, Independent Researcher

Monica Gagliano is an internationally award-winning research scientist. She has pioneered the brand-new research field of plant bioacoustics, which for the first time, experimentally demonstrates that plants emit voices and detect and respond to the sounds of their environments. Her work has extended the concept of cognition in plants. By demonstrating experimentally that learning and memory are not the exclusive province of animals, Gagliano has reignited the discourse of plant subjectivity, as well as ethical and legal standing. She applies an innovative and holistic approach to science, one that is comfortable engaging at the interface between areas as diverse as ecology, physics, law, anthropology, philosophy, literature, music, the arts, and spirituality. More info at www.monicagagliano.com

 

References

Giovanni Aloi is an author, curator, educator, and maker specializing in the histories of art and politics of aesthetics in representations of nature in art. A pioneer in the fields of animal studies and critical plant studies, his work foregrounds posthuman and non-anthropocentric perspectives in art, challenging conventional frameworks of representation and advocating for an ethical engagement with the more-than-human world. His research critically examines how visual culture constructs relationships with animals and plants, working against their objectification while exploring new modes of artistic expression that foster multispecies entanglements. More info at www.aloi.info

Monica Gagliano is an internationally award-winning research scientist. She has pioneered the brand-new research field of plant bioacoustics, which for the first time, experimentally demonstrates that plants emit voices and detect and respond to the sounds of their environments. Her work has extended the concept of cognition in plants. By demonstrating experimentally that learning and memory are not the exclusive province of animals, Gagliano has reignited the discourse of plant subjectivity, as well as ethical and legal standing. She applies an innovative and holistic approach to science, one that is comfortable engaging at the interface between areas as diverse as ecology, physics, law, anthropology, philosophy, literature, music, the arts, and spirituality. More info at www.monicagagliano.com

Giovanni Aloi, Dodder, Chicago North Shore #2, Summer 2024

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Published

25-02-2026

How to Cite

Aloi, G., & Gagliano, M. (2026). This is not a fairy tale. L’uomo Nero. Materiali Per Una Storia Delle Arti Della Modernità, 22(22-24), 464–477. https://doi.org/10.54103/2974-6620/uon.n22-24_2025_pp464-477

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Monographic Section