Precarity in European Film: Depictions and Discourses, Edited by Elisa Cuter, Guido Kirsten, and Hanna Prenzel, Berlin: De Gruyter, 2022, pp. 374

Authors

  • Eduard Cuelenaere Ghent University

DOI:

https://doi.org/10.54103/2036-461X/22503

Author Biography

Eduard Cuelenaere, Ghent University

Eduard Cuelenaere is postdoctoral researcher at the Department of Communication Sciences at Ghent University and visiting professor at both the Free University of Brussels and the University of Antwerp. He is affiliated with the research groups CIMS (Centre for Cinema and Media Studies) and ECHO (Media, Culture and Politics). As a film scholar, he is particularly interested in how the growing phenomenon of recycling content (film remakes, sequels, ...) reflects the evolving state of film cultures (e.g., in terms of its diversity) and industries within the realm of (streaming) European cinema. Exploring the intricate relationship between the audiovisual industry, society, and culture, he employs an interdisciplinary approach, drawing from film studies, audience studies, cultural studies, and (critical) media industry studies.

References

Christensen, Martin-Brehm, et al. 2023. Survival of the Richest: How we must tax the super-rich now to fight inequality. Report by Oxfam.

Mercier, Etienne, Pierre Latrille, Salomé Quétier-Parent, and Ana Thibaud Quemada. 2023. Barometric Study on Poverty and Economic Precariousness (17th edition). Report by Ipsos (Secours Populaire Français).

Taylor, Charles. 1994. “The Politics of Recognition.” In: Multiculturalism: Examining the Politics of Recognition, edited by Amy Gutmann, 25-73. Princeton: Princeton University Press.

Zaniello, Thomas. 2020. The Cinema of the Precariat: The Exploited, Underemployed, and Temp Workers of the World. New York: Bloomsbury Publishing USA.

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Published

2024-04-05

How to Cite

Cuelenaere, E. (2024). Precarity in European Film: Depictions and Discourses, Edited by Elisa Cuter, Guido Kirsten, and Hanna Prenzel, Berlin: De Gruyter, 2022, pp. 374. Cinéma & Cie. Film and Media Studies Journal, 23(41), 185–187. https://doi.org/10.54103/2036-461X/22503