Zur Hauptnavigation springen Zum Inhalt springen Zur Fußzeile springen
header

Saggi per la call-sezione sottoposta a peer review

Nr. 10 (2025): Miscellanea III

Artists Residence as Spaces of Resistance and Catalysts for Social Transformation: : The Case of Dies Irae

DOI
https://doi.org/10.54103/connessioni/30104
Eingereicht
November 10, 2025
Veröffentlicht
2026-01-15

Abstract

This contribution investigates the role and transformative potential of artist residencies as liminal spaces that resist the productivist logics of contemporary performance and experiment with new forms of relation, creation, and community engagement. Far from being mere sites of artistic production, residencies are conceived as laboratories of sharing and co-creation, where embodiment and participant agency play a constitutive role in both artistic and social processes.
The study focuses on Dies Irae. Concerto per donne e martelli, a seven-day residency at L’Arboreto – Teatro Dimora in Mondaino, led by performer Gloria Dorliguzzo and musician Gianluca Feccia. Through an ethnographic approach integrating observation, interviews, focus groups, and digital diaries via WhatsApp, the research examines the transformative dynamics emerging between artists, participants, and creative processes, showing how residency ecosystems enable new configurations of roles, power, and shared practice.

Literaturhinweise

  1. Allegrini G., Paltrinieri R., Audience engagement and cultural diversity, in «Comunicazioni sociali», 1, 2022, pp. 121–134.
  2. Bartlett R., Christine M., What is Diary Method?, Bloomsbury Academic (an imprint of Bloomsbury Publishing Plc), Bloomsbury UK, London, 2015.
  3. Basov N., Muntanyola-Saura D., Méndez S., Nenko O., Professional patios, emotional studios: Locating social ties in European art residences, in «Poetics», 102, 2024, 101869.
  4. Biondi F., Donati L. (Eds.), Incontro al futuro. I teatri delle residenze in Italia: un’inchiesta, L’arboreto Edizioni, Mondaino, 2023.
  5. Bishop C., Artificial hells: Participatory art and the politics of spectatorship, Verso Books, Brooklyn, New York, 2012; trad. it. (2015) Inferni artificiali: la politica della spettatorialità nell’arte partecipativa, Luca Sossella Editore, Roma, 2015.
  6. Börner S., Kraftl P., Giatti L. L., More than participatory? From ‘compensatory’ towards ‘expressive’ remote practices using digital technologies, in «Qualitative Research», 24(3), 2024, pp. 459–485.
  7. Bourriaud N., Esthétique relationnelle, Les presses du réel, Dijon, 1998; trad. it. Estetica Relazionale, Postmediabook, Milano, 2010.
  8. Carpentier N., Media and participation: A site of ideological-democratic struggle, Intellect, Bristol, 2011.
  9. Costa P., Lopes R. V., Dupin-Meynard F., Perestrelo M., A Quality of Participation Assessment Toolkit: a Co-Construction Process with Stronger, Peripheries Partners, 2024, https://strongerperipheries.eu/activeapp/wp-content/uploads/2024/10/Stronger-Peripheries-Building-a-Southern-Coalition-in-Performing-Arts.pdf
  10. (accessed 6 November 2025).
  11. Eernstman N., Pearson K. R., Wals A. E. J., Bjurström Å. E., De Vrieze A., Designing collective artist residencies, in «Airea: Arts and Interdisciplinary Research», (3), 2021, pp. 17–34.
  12. European Commission: Directorate-General for Education, Youth, Sport and Culture, Policy handbook on artists' residencies – European agenda for culture – Work plan for culture 2011–2014, Publications Office, 2016, https://data.europa.eu/doi/10.2766/199924
  13. (accessed 7 ottobre 2025).
  14. Gaupp L., Barber-Kersovan A., Kirchberg V. (Eds.), Arts and Power: Policies in and by the Arts, Springer International Publishing, Cham, 2022.
  15. Gemini L., Brilli S., Gradienti di liveness. Performance e comunicazione dal vivo nei contesti mediatizzati, FrancoAngeli, Milano, 2023.
  16. Gemini L., Giannini L., Giuliani F., Comunità teatrali mediatizzate: Forme della partecipazione e spettatorialità nel progetto BAT-Bottega Amletica Testoriana, in «Mediascapes journal», 24(2), 2024, pp. 224–244.
  17. Giuliani F., Il progetto ERetici. Le strade dei teatri: nuovi “prototipi” di residenza tra processi di creazione, accompagnamento e partecipazione, L’arboreto Edizioni, Mondaino, 2024.
  18. Hyers L. L., Diary methods, Oxford University Press, 2018.
  19. Kester G. H., Conversation Pieces: Community and communication in modern art, University of California Press, 2004.
  20. Lithgow M., Wall K., Embedded aesthetics: Artist-in-residencies as sites of discursive struggle and social innovation, in «Seismopolite: Journal of Art and Politics», 18, 2017.
  21. Mavhandu-Mudzusi A. H., Moyo I., Mthombeni A., Ndou A., Mamabolo L., Ngwenya T., Netshapapame T., WhatsApp as a qualitative data collection method in descriptive phenomenological studies, in «International Journal of Qualitative Methods», 21, 2022, 16094069221111124.
  22. Monteverdi A. M., Residenze Digitali: lo spettacolo si fa on line, in «Umanistica Digitale», (15), 2023, pp. 151–167.
  23. Pinto M. R., Viola S., Onesti A., Ciampa F., Artists residencies, challenges and opportunities for communities’ empowerment and heritage regeneration, in «Sustainability», 12(22), 2020, 9651.
  24. Reckwitz A., Toward a theory of social practices. A development in culturalist theorizing, in «European Journal of Social Theory», 5(2), 2002.
  25. Roberts K. S., Strandvad S. M., Artist residencies as creative ecologies: Proposing a new framework for twenty-first-century cultural production, in The Cultural Sociology of Art and Music: New Directions and New Discoveries, Springer International Publishing, Cham, 2023, pp. 43–69.
  26. Shove E., Pantzar M., Watson M., The Dynamics of Social Practices: Everyday Life and How It Changes, Sage Publications, London, 2012.
  27. Wenger E., Communities of practice: Learning, meaning, and identity, Cambridge University Press, 1998.

Downloads

Keine Nutzungsdaten vorhanden.