The different colours of participation. The case of the European project “Be SpectACTive!”
DOI:
https://doi.org/10.13130/2039-9251/11484Abstract
Focusing on the four years long, large-scale EU project Be SpectACTive!, the authors observe its initial, artistic and strategic, aims and the results in the light of the recent social and political changes as well as the notion of “inter-locality”. The EU priority Audience Development (AD) program and the organizations involved are analyzed highlighting successes and failures as well as their impact on cultural organizations and artists who have taken part in the program.
References
ANHEIER, Helmut K., ISAR, Yudhishthir Raj (ed. by), Cultures and Globalization. Cities, Cultural Policy and Governance, Sage Pubblication Ltd, London 2012.
BARBER, Benjamin, If Mayors Ruled the World. Dysfunctional Nations, Rising Cities, Yale University Press, New Haven-London 2014.
BOURDIEU, Pierre, Homo academicus, Minuit, Paris 1984.
CSIKSZENTMIHÁLYI, Mihaly, Creativity. Flow and the Psychology of Discovery and Invention, HarperCollins, New York 1996.
KLAIC, Dragan, Resetting the stage. Public theatre between the market and democracy, The University of Chicago Press, Chicago 2012.
LANDRY, Charles, The Art of City Making, Routledge, London 2016.
Downloads
Published
Issue
Section
License
The authors who publish in Itinera are required to accept the following conditions:
1. The authors retain the rights on their paper and lincese the journal the right of first publication. The paper is also licensed under a Creative Commons License, which allows others to share it, by indicating intellectual authorship and its first publication in Itinera.
2. Authors may adhere to other non-exclusive license agreements for the distribution of the published version of the paper (ex. deposit it in an institutional archive or publish it in a monograph), provided that its first publication in Itinera is indicated.
3. Authors can disseminate their paper online (ex. in institutional repositories or on their website) before and during the submission process, since this can lead to productive exchanges and increase quotations of the published work (See “The Effect of Open Access”).