L’idea alla base dell’arte. Dal readymade a Habacuc
DOI:
https://doi.org/10.13130/2039-9251/2050Abstract
Il readymade stimola l’insorgere di molte problematicità circa la legittimità della denominazione di arte riferendosi a questi particolari prodotti e dà avvio a un fecondo periodo di riflessione del mondo dell’arte su se stesso. La strada che porta al readymade inizia con la trasformazione semantica dell’oggetto seriale di produzione industriale e conduce a nuove prospettive in campo artistico, che lasciano aperto e spinoso il problema della definizione del concetto di arte.
Downloads
Published
Issue
Section
License
The authors who publish in Itinera are required to accept the following conditions:
1. The authors retain the rights on their paper and lincese the journal the right of first publication. The paper is also licensed under a Creative Commons License, which allows others to share it, by indicating intellectual authorship and its first publication in Itinera.
2. Authors may adhere to other non-exclusive license agreements for the distribution of the published version of the paper (ex. deposit it in an institutional archive or publish it in a monograph), provided that its first publication in Itinera is indicated.
3. Authors can disseminate their paper online (ex. in institutional repositories or on their website) before and during the submission process, since this can lead to productive exchanges and increase quotations of the published work (See “The Effect of Open Access”).