L’idea alla base dell’arte. Dal readymade a Habacuc
DOI:
https://doi.org/10.13130/2039-9251/2050Abstract
Il readymade stimola l’insorgere di molte problematicità circa la legittimità della denominazione di arte riferendosi a questi particolari prodotti e dà avvio a un fecondo periodo di riflessione del mondo dell’arte su se stesso. La strada che porta al readymade inizia con la trasformazione semantica dell’oggetto seriale di produzione industriale e conduce a nuove prospettive in campo artistico, che lasciano aperto e spinoso il problema della definizione del concetto di arte.
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