Verso un'estetica della macchina. Le nozioni di oggetto e di reale nella produzione artistica postmoderna
DOI:
https://doi.org/10.13130/2239-5474/1402Keywords:
Postmodernismo artistico, Ready-made, Macchina, Ritorno del reale, Desimbolizzazione dell’oggetto, Dispositivo pulsionale, Libido, Traumatismo, Artistic Postmodernism, Machine, Return of the real, De-symbolization of the object, System of driveAbstract
Il saggio esamina la pratica del ready-made nella scena artistica post-storica. Nel contesto di una ricodificazione del rapporto tra artistico e politico, i concetti di reale e oggetto veicolano una riflessione sul problema del realismo nella produzione Pop e Minimalista. Grazie ad una costellazione di autori (Lyotard, Deleuze e Guattari, Francastel, Lacan, Rancière) esploreremo il modo in cui il Postmoderno modula la propria impresa veritativa catturando atti extra-artistici e registrando l’emergenza di una dimensione macchinina.
Towards an aesthetics of the machine.The notions of object and real in postmodernist artistic production
This essay is conceived as a theoretical inquiry that seeks to examine ready-made practice as one of the most pertinent moments of the genesis of the post-historical artistic scene. In the framework of a recoded articulation of the art and the politics, concepts of Real and object will constitute the ground for a theoretical speculation on the question of realism in Pop Art and Minimalism. Thanks to a constellation of authors (Lyotard, Deleuze e Guattari, Francastel, Lacan, Rancière) we will explore how Postmodernism shapes its enterprise by “capturing” extra-artistic acts and how this intrusion implies the emergence of mechanical dimension.
Downloads
Published
Issue
Section
License
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).