Music in the Century of the Masses (Music and Society). A reply to Carlo Sini (21/10/13)
DOI:
https://doi.org/10.13130/2239-5474/3274Keywords:
Show-business totalitarianism, cultural industry, anachronism, difference-singularity, contaminations, Jimi Hendrix, Anton Webern, classical music/pop music, practices of listening, BeatlesAbstract
A proper reflection about the music in the masses era can develop itself only if it’s interwoven with the media totalitarianism which seems to be the fate of our times. Beyond the ideology and the fashion of “contamination” that leeds towards a levelling of values, it’s much better to sharpen instead the real difference between the distinct practices of listening, without academic prejudices but also without misleading homologations. Neither puritanisms nor false transgressions: classical music and pop music must be received iuxta propria principia, each of them along its own specific language.
Downloads
Published
Issue
Section
License
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).