Vol. 1 No. 2 (2021)

Vol. 1 No. 2 (2021)

Published November 15, 2021
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Articles

Giulia Accornero
5–33
Shocking Intimacy: Techniques, Technologies, and Aesthetics of Amplification in Clara Iannotta’s “Intent on Resurrection”
https://doi.org/10.54103/sss15487
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Davinia Caddy
35–68
Attention, Music, Dance: Embodying the “Cinema of Attractions”
https://doi.org/10.54103/sss15963
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Janina Müller
69–100
Performance as Transformation: The Laughing Songs of “Death in Venice” in Literature, Film, and Opera
https://doi.org/10.54103/sss14054
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James Wierzbicki
101–124
Rapt/Wrapped Listening: The Aesthetics of “Surround Sound”
https://doi.org/10.54103/sss14474
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Forum

Gail Priest
125–194
Sound Theaters of the 21st Century: Material Functions and Voltaic Performativities
https://doi.org/10.54103/sss16639
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Interviews

Jelena Novak
195–209
The Curatorial Turn and Opera: On the Singing Deaths of Maria Callas. A Conversation with Marina Abramović and Marko Nikodijević
https://doi.org/10.54103/sss16640
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Book Reviews

Bianca De Mario
211–218
Review of Tereza Havelková, “Opera as Hypermedium: Meaning-Making, Immediacy, and the Politics of Perception” (2021)
https://doi.org/10.54103/sss16655
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Performance Reviews

Björn Heile
219–223
Review of Jennifer Walshe, “Ireland: A Dataset” (online, 26 September 2020)
https://doi.org/10.54103/sss16656
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Antonio Pizzo, Marida Rizzuti
224–228
Review of Marina Abramović, “7 Deaths of Maria Callas” (2020)
https://doi.org/10.54103/sss16657
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