Japanese Epic Puppet Tales at New Year: The Fukaze Dekumawashi and Higashi Futakuchi Performance Traditions
World Epics and Puppet Theater
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Keywords

bun’ya ningyō
folk puppetry
ningyō jōruri
Japanese traditional puppetry
Hakusan
Ishikawa
Japan
INtangible Cultural Folk Properties
The Tale of the Heike
Heike Monogatari
Fukaze
Higashi Futakuchi
dekumawashi

How to Cite

Orenstein, C. (2023). Japanese Epic Puppet Tales at New Year: The Fukaze Dekumawashi and Higashi Futakuchi Performance Traditions. AOQU (Achilles Orlando Quixote Ulysses). Journal on Epic, 4(2), 173–203. https://doi.org/10.54103/2724-3346/22206

Abstract

In the Hakusan area of Japan’s Ishikawa Prefecture, two villages, Fukaze and Higashi Futakuchi, roughly 350 years ago, developed and have continued to preserve  bun’ya ningyō, puppetry combined with the bun’ya style of chanting, a precursor of bunraku. These traditions draw their tales from folk stories and the epic Heike Monogatari or Tale of the Heike. Although their puppets are basic in construction and use a simple form of manipulation, each of these related but distinct traditions captivates with its own unique figures, particular chanting style, and ingenious manipulation techniques. Equally worthy of attention are the roles these non-commercial traditions have played in uniting their rural communities and the deep attachment locals still have to their artform. With the erosion of rural lifestyles throughout Japan and the aging of the forms’ most engaged practitioners, it is difficult to anticipate the future of these arts. Along with Hakusan City Hall, the forms’ preservation associations have experimented with ways of documenting the traditions, finding new performance opportunities, and promoting their arts to a broader public.

https://doi.org/10.54103/2724-3346/22206
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