Portrait of a Girly Girl: Self-Recording as a Feminist Practice

Authors

DOI:

https://doi.org/10.54103/2036-461X/22083

Keywords:

Self-recording, Video art, Feminism, Make-up tutorial, Stereotypes

Abstract

YouTube, Instagram and TikTok are increasingly used today as tools of resistance and environments of expression. This paper will focus on feminist video-selfies that address stereotypes of the female body, status and behaviour and propose to ironically dismantle them. The article will consider issues of female networked presence and creativity by referring to early attempts to create a personal video channel, documented by Elisa Giardina Papa in her video artwork need ideas!?!PLZ!! (2011). The undercover presentation of political content will be discussed as an activist strategy, as in artist Addie Wagenknecht’s fake make-up tutorials, in which she actually gives instructions on how to protect oneself both online and offline. Video-selfies are widely shared on social platforms as a playful way to meditate on personal identity. This happens, for example, thanks to the social filters of the artist S()fia Braga, which allow users to freely experiment with unfathomable views of themselves and to interact with others in a performative way. All these examples use creative strategies to convey a critical message. While never discouraging physical protest, they offer another ground for activism and dissent, and the possibility of literally embodying them.

Author Biography

Sofia Pirandello, University of Milan

Sofia Pirandello is post-doc researcher in Aesthetics at the Department of Philosophy “Piero Martinetti” of the University of Milan. Her research interests concern contemporary theories of imagination, philosophy of technology, media theories and contemporary art. She obtained her PhD degree in Philosophy and Human Sciences at the University of Milan (2023), working on a PhD thesis about augmented reality (AR) feedback on human imagination. She is author of the book Fantastiche presenze. Note su estetica, arte contemporanea e realtà aumentata (Johan & Levi 2023). Within the ERC Project “AN-ICON” she works on aesthetics and politics of AR considered as a phantasmagoric dispositif, also investigating the link between magic and contemporary technology.

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Published

2024-08-02

How to Cite

Pirandello, S. (2024). Portrait of a Girly Girl: Self-Recording as a Feminist Practice. Cinéma & Cie. Film and Media Studies Journal, 24(42), 101–116. https://doi.org/10.54103/2036-461X/22083