Miriam De Rosa, Camille Henrot, Grosse Fatigue: Notes on Desktop Cinema, Milano-Udine: Mimesis-EX Series 02, 2024, pp. 168

Authors

  • Catherine Fowler University of Otago

DOI:

https://doi.org/10.54103/2036-461X/29021

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Author Biography

Catherine Fowler, University of Otago

Catherine Fowler is a professor in film and media at University of Otago, New Zealand. Her research interests include alternative forms in film, feminism and critical media literacy. Her most recent publications include a book in the BFI Film Classics series on Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles (BFI and Bloomsbury, 2021) and a Special Issue of Media Practice and Education (vol. 22, issue 1, Spring, 2021) (co-edited with Sean Redmond) on the audio-visual essay as creative practice in teaching and research.

References

Anon. 2025. “The 100 Best Artworks of the 21st Century”. ARTnews, Art in America. March 5th. https://www.artnews.com/list/art-news/news/100-best-artworks-21st-century-1234734225/

Bruno, Giuliana. 2014. Surface: Matters of Aesthetics, Materiality, and Media. Chicago: University of Chicago Press.

De Rosa, Miriam. 2020. “Dwelling with Moving Images.” In Post-cinema: Cinema in the Post-art Era, edited by Dominique Chateau and José Moure, 221–39. Amsterdam: Amsterdam University Press.

De Rosa, Miriam, and Wanda Strauven. 2020. “Screenic (re)orientations: Desktop, Tabletop, Tablet, Booklet, Touchscreen, Etc.” In Screen Space Reconfigured, edited by Susanne Ø Soether and Synne T. Bull, 231–62. Amsterdam: Amsterdam University Press.

MacDonald, Scott. 1998. A Critical Cinema 3: Interviews with Independent Filmmakers. Vol. 3. Berkeley: University of California Press.

Parikka, Jussi. 2003. Operational Images: from the Visual to the Invisual. Minneapolis: University of Minnesota Press.

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Published

2026-02-20

How to Cite

Fowler, C. (2026). Miriam De Rosa, Camille Henrot, Grosse Fatigue: Notes on Desktop Cinema, Milano-Udine: Mimesis-EX Series 02, 2024, pp. 168. Cinéma & Cie. Film and Media Studies Journal, 25(44), 161–163. https://doi.org/10.54103/2036-461X/29021

Issue

Vol. 25 No. 44 (2025): World Cinemas of Resistance: Cinematic Worlds as Decolonial Practices

Section

Reviews / Comptes rendus

License

Copyright (c) 2025 Catherine Fowler

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.