Mapping Decolonial Cinema

Authors

  • Daniele Rugo Brunel University of London
  • Marco Benoît Carbone University of Cagliari

DOI:

https://doi.org/10.54103/2036-461X/30710

Keywords:

Decolonial Film Theory, Third Cinema, Resistance, Coloniality, Delinkings

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Author Biographies

Daniele Rugo, Brunel University of London

Daniele Rugo is a filmmaker and Professor of Film at Brunel, University of London. His work focuses on philosophy of cinema and documentary film. He’s a Visiting Fellow at Pembroke College, University of Oxford.

Marco Benoît Carbone, University of Cagliari

Marco-Benoît Carbone is an Associate Professor at the University of Cagliari, where he teaches in the fields of media studies and research methodologies. He previously taught in the UK at UCL, UAL, LSBU, and Brunel University London. His monograph Geographies of Myth and Places of Identity is an ethnographic study of the interplay between historical narratives, media iconographies, and the politics of heritage and tourism in Calabria and Sicily. He has authored studies on the mediated construction of identity and is co-editor (with Giovanna Summerfield) of a forthcoming JICMS special issue on representations of Southern Italy in the media.

References

Mbembe, Achille. 2019. Necropolitics. Durham, NC: Duke University Press.

Mignolo, Walter. 1999. “I am where I think: Epistemology and the colonial difference.” Journal of Latin American Cultural Studies: Travesia 8 (2): 235-245.

Mignolo, Walter. 2000. Local Histories/Global Designs: Coloniality, Subaltern Knowledges, and Border Thinking. Princeton: Princeton University Press.

Mignolo, Walter. 2009. “Epistemic Disobedience, Independent Thought and De-Colonial Freedom.” Theory, Culture & Society 26 (7–8): 1–23.

Mignolo, Walter. 2018. “Forward: On Pluriversality and Multipolarity.” In Constructing the Pluriverse: The Geopolitics of Knowledge, edited by Bernd Reiter, 90-116. Durham, NC: Duke University Press.

Quijano, Anibal. 2000. “Coloniality of Power, Eurocentrism, and Latin America.” Nepantla: Views from South 1 (3): 533–80.

Traverso, Antonio, Deane Williams, and Keyan G. Tomaselli (2017), Screen Culture in the Global South Cinema at the End of the World. London: Routledge.

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Published

2026-02-20

How to Cite

Rugo, D., & Carbone, M. B. (2026). Mapping Decolonial Cinema. Cinéma & Cie. Film and Media Studies Journal, 25(44), 9–15. https://doi.org/10.54103/2036-461X/30710

Issue

Vol. 25 No. 44 (2025): World Cinemas of Resistance: Cinematic Worlds as Decolonial Practices

Section

Introduction

License

Copyright (c) 2025 Daniele Rugo, Marco Benoît Carbone

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.