CfE 44 - World Cinemas of Resistance: Cinematic worlds as decolonial practices
Call for Essays for the thematic section of Cinéma & Cie no. 44, edited by Daniele Rugo and Marco Benoît Carbone.
Edited by Adriano D'Aloia and Ruggero Eugeni
Over the last two decades, discoveries made in the field of cognitive neuroscience have begun to permeate the humanities and social sciences. In the context of this intersection, Neurofilmology is a research program that arises at the encounter between two models of viewer: the viewer-as-mind (deriving from a cognitive/analytical approach) and the viewer-as-body (typical of the phenomenological/continental approach). Accordingly, Neurofilmology focuses on the viewer-as-organism, by investigating with both empirical and speculative epistemological tools the subject of audiovisual experience, postulated as embodied, embedded, enacted, extended, emerging, affective, and relational.
This special issue of Cinéma & Cie focuses on major conceptual and epistemological arguments arising from the dialogue between audiovisual studies and neurosciences developed over the last twenty years. In fact, the contributors share the conviction that such a dialogue can be fruitful if and only if it is conducted within a common and consistent framework, including both epistemological and conceptual aspects. Such a framework should allow each of the research programs to contribute to a shared understanding of that particular and complex phenomenon that is the film and audiovisual media viewing experience.
Call for Essays for the thematic section of Cinéma & Cie no. 44, edited by Daniele Rugo and Marco Benoît Carbone.
Call for Essays for the thematic section of Cinéma & Cie no. 42, edited by Kathrin Fahlenbrach, Giuseppe Previtali, and Giacomo Tagliani.
Call for Essays for the thematic section of Cinéma & Cie no. 41, edited by Daniel Biltereyst, Elena Gipponi and Andrea Miconi
Cinéma & Cie. Film and Media Studies Journal
ISSN 2036-461X
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