Play

Authors

  • David Beronio Teatro Akropolis

DOI:

https://doi.org/10.13130/2239-5474/6785

Keywords:

play, knowledge, theatre, practices, awareness, Plato, Breton, Huizinga, Alessandro Fersen

Abstract

Those engaged in theatre encounter the “play” primarily as an aesthetic category inherent in the processes that characterise the act of the play.  But with further development of these practices, the potential knowledge of the play also emerges, as human condition with a deep awareness of oneself.  Through a path that passes through Breton, Plato, Huizinga, and Alessandro Fersen, an interpretation of the “play” is proposed here as a fundamental part of art and knowledge.

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Published

2016-02-08

Issue

No. 7-1 (2016): La conoscenza al lavoro. La formazione nell'età degli specialismi

Section

Materiali

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