Genetic criticism in the edition of ‘classics’
DOI:
https://doi.org/10.13130/2499-6637/9210Keywords:
Bibliothèque de la Pléiade, Meridiani Mondadori, genetic criticism, editorial choisesAbstract
Maria Teresa Giaveri is the curator of many volumes of ‘complete works’ published in Italy and in France. In this paper she focuses on Mondadori’s «I Meridiani» and «Classici Bompiani», two collections similar to the French «Bibliothèque de la Pléiade» by Gallimard; in both of them she faces editorial problems strictly connected to the thems of our journal.Downloads
References
Albert Camus, Opere (Romanzi, racconti, saggi), a cura e con introduzione di Roger Grenier, apparati di Maria Teresa Giaveri e Roger Grenier, Milano, Bompiani [«Classici»], 1988.
Colette, OEuvres, Edition publiée sous la direction de Claude Pichois, avec la collaboration [per la sezione delle Claudine] de Paul D’Hollander, Paris, Gallimard [«Bibliothèque de la Pléiade»], 1984, vol. I.
Colette, Romanzi e Racconti, a cura e con introduzione di Maria Teresa Giaveri, Milano, Mondadori [«I Meridiani»], 2000.
Renata Colorni (attuale direttrice della collana), I Meridiani Mondadori fra tradizione e innovazioni, «Fare libri. Come cambia il mestiere dell’editore», Almanacco Guanda 2012.
Paul Valéry, OEuvres, Édition de Jean Hytier, Introduction biographique par Agathe Rouart-Valéry, Paris, Gallimard [«Bibliothèque de la Pléiade»], vol. I, 1957.
Paul Valéry, Alphabet, a cura di Maria Teresa Giaveri, Reggio Emilia, Diabasis, 1993.
Paul Valéry, Il Cimitero marino, a cura di Maria Teresa Giaveri, Milano, Il Saggiatore, 1984.
Paul Valéry, Opere scelte, a cura di Maria Teresa Giaveri, Milano, Mondadori [«I Meridiani»], 2014.
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