Vol. 5 No. 1 (2024): Memory and reworking of ancient epic in the culture of “long Eighteenth Century”
Memory and reworking of ancient epic in the culture of “long Eighteenth Century”

This issue is the development of the panel Memory and reshaping of ancient epics in eighteenth-century culture presented at the XVI Congress of studies on the eighteenth century promoted by the International Society for Eighteenth-Century Studies (ISECS-SIEDS). The papers hereby presented address, in various forms, the radical cultural transition which between eighteenth and nineteenth century renewed, without betraying it, the classical foundation of the epic genre: a complex transformation involving both translations, as well as the recovery of patterns and models, as well as the epicization of contemporary history, of new technologies, of new science. A characterizing feature of this epic reuse is the hybridization of the poem with other genres, as also emerges in the papers of the final section of the issue, stemmed from the panel Antiquity in the mirror of Arcadia at the ISECS-SIEDS Congress.

Full Issue
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Individual Articles

Guglielmo Barucci, Sandra Carapezza, Michele Comelli, Cristina Zampese
7-10
Foreword
https://doi.org/10.54103/2724-3346/23994
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Clément Stagnol
11-35
Rewriting Homer and Virgil for the Opera: Campistron's and Fontanelle's’ "tragédies en musique" analyzed through the prism of the Quarrel of the Ancients and the Moderns
https://doi.org/10.54103/2724-3346/23995
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Giada Guassardo
37-73
«A cui non manca che la fortuna d’avere avuto il natale in tempo più felice»: Teresa Bandettini's "La Teseide" (1805)
https://doi.org/10.54103/2724-3346/23997
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Anna Negri, Giulia Maria Romano
75-102
«Ti muova il pianto che dai lumi io verso». Epic Models in Fortunata Sulgher Fantastici
https://doi.org/10.54103/2724-3346/23998
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Barbara Tanzi Imbri
103-120
Notes on the reuse of classical epic in the poetry of the late 18th century. Parini's "Giorno" and Savioli's "Amori"
https://doi.org/10.54103/2724-3346/24000
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Luca Frassineti
121-164
On the methods and chronology of Monti's version of the "Iliad": the first known drafts in preparation for the "editio princeps"
https://doi.org/10.54103/2724-3346/24001
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Jacopo Narros
165-181
The «stupenda macchina volante»: Vincenzo Lancetti's "Areostiade" between modernity and the revival of antiquity
https://doi.org/10.54103/2724-3346/24002
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Gauthier Ambrus
183-208
Based on or after the antique? André Chénier's "Hermes" and "America" or Epic at the risk of Philosophy
https://doi.org/10.54103/2724-3346/24003
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Maria Maffezzoli
209-253
Ossian sixty years after Cesarotti. A translation of "Oinamora" by Giovanni Torti (1825)
https://doi.org/10.54103/2724-3346/24004
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